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Mezzo Soprano

Lena Belkina

Als Titelheldin überzeugte Lena Belkina mit einem dunkel gefärbten Mezzo

Als Titelheldin überzeugte Lena Belkina mit einem dunkel gefärbten Mezzo in dieser Zweitfassung der Tschaikowski Oper... Und so emanzipiert sich die jugendliche Johanna mit langen schwarzen Haaren… to all reviews

  • Belkina 1
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Videos

Biography

"  Lena would have fascinated Rossini! Lena Belkina, mezzo-soprano: one of those beautiful dark feminine voices, mysterious and sensual, Rossini – luckily for us – was enchanted by ... "

Sandro Cappelletto, La Stampa

 

Ukrainian mezzo-soprano Lena Belkina studied at the R. Glier Kyiv Institute of Music and the National Music Academy of Ukraine with Prof. Yevheniya Miroshnychenko, before completing her vocal studies with distinction at the "Felix Mendelssohn Bartholdy" Hochschule für Musik und Theater Leipzig under the guidance of Prof. Roland Schubert. After winning first prize at the international Boris Hmyria International Singers’ Competition, she started her career as an ensemble member of the Leipzig Opera and the Vienna State Opera.

Her international breakthrough came as Angelina in a production of Rossini's La Cenerentola directed by Carlo Verdone and under the baton of Gianluigi Gelmetti, broadcast live by Radiotelevisione Italiana and streamed worldwide on numerous TV channels, before being awarded Italy's leading television prize, the Prix Italia. In addition, Lena made her debut at the prestigious Rossini Opera Festival in Pesaro as Arsace in a production of Aureliano in Palmiradirected by Mario Martone, later released on DVD by Arthaus.

Since then, Lena Belkina has been a regular guest on international stages, appearing among others, as Cherubino in Mozart's Le nozze di Figaro at the Vienna State Opera and the Teatro Real in Madrid, as Rosina in Il Barbiere di Siviglia at the Deutsche Oper am Rhein in Dusseldorf, the New National Theatre in Tokyo and the Grand Théâtre de Genève, as Angelina in La Cenerentola at the Leipzig Opera and the National Theatre in Prague, as Olga in Tchaikovsky's Eugene Onegin at the Palau de les Arts in Valencia, the Teatro Comunale in Bologna, the Malmö Opera and the Opéra de Limoges, and as Varvara in Janáček's Káťa Kabanová at the Teatro Regio in Turin and the Teatro San Carlo in Naples.

After her debut at the Kyiv National Opera in 2016 as Angelina, Lena further appeared as Adalgisa in Bellini's Norma and in the title role of Bizet's Carmen, a role she first sang at the Bregenz Festival.

Further engagements include Sonia in Prokofiev's War and Peace and Smeton in a new production of Donizetti's Anna Bolena at the Grand Théâtre de Genève, Angelina in La Cenerentola at the Leipzig Opera and as Polina in Tchaikovsky's Pique Dame at the Gran Teatre del Liceu in Barcelona. At the Theater an der Wien, Lena starred in the title role of Handel's Teseo and as Joan of Arc in a new production of Tchaikovsky's The Maid of Orleans, under the musical direction of Oksana Lyniv and directed by Lotte de Beer. At the Hessisches Staatstheater Wiesbaden she took on both the title role of Carmen and Ruggiero in Handel's Alcina, and subsequently appeared as Isaura in Rossini's Tancredi at the Théâtre de la Monnaie, as Nicklausse in Offenbach's Les Contes d'Hoffmann at the New National Theatre in Tokyo, and as Elena in Rossini's La donna del lago at the Opéra de Lausanne. As part of the Handel Festival Karlsruhe, Lena Belkina made her role debut as Gismonda in Handel's Ottone conducted by Carlo Ipata.

Lena Belkina is an equally sought-after soloist on the concert stage, having appeared previously as a soloist at the Gewandhaus in Leipzig, the Beethovenhalle in Bonn and the Herkulessaal in Munich, among others. As part of José Carreras' farewell tour, she appeared as a soloist at the Vienna Konzerthaus and performed the alto part in Mahler's Das Lied von der Erde with the Jerusalem Symphony Orchestra under Fréderic Chaslin. At the Charity Concert in support of Ukraine promoted by the Vienna Musikverein in March 2022, she touched the audience with songs by the Ukrainian composer Valentin Silvestrov. Most recently the mezzo-soprano has performed in Beethoven’s Ninth Symphony with the SWR Symphony Orchestra in Stuttgart, Vienna and Freiburg, conducted by Jean-Christophe Spinosi, while at the Auditorio Nacional de Música in Madrid, she could be heard in Bach's St. Matthew Passion. On the recital stage, she has performed at the Schubertiade Wieden, the Festival dos Capuchos in Almada, Portugal, and in Sion, Switzerland. In addition, she performed together with the ORF Radio Symphony Orchestra Vienna under Karina Canellakis in Janáček's Glagolitic Mass at the Vienna Musikverein.

Lena Belkina’s devotion to the bel canto repertoire is clear from her solo album "Dolci Momenti", with arias by Rossini, Bellini and Donizetti (Münchner Rundfunkorchester/ Alessandro De Marchi) released by Sony Classical. On the same label she released "Classic Vienna", an album featuring arias by Mozart, Gluck and Haydn (ORF Radio-Symphonieorchester Wien/Andrea Sanguineti). In 2021, the label Solo Musica released her first lied album "Spring Night" dedicated to works by Tchaikovsky and Rachmaninov, which received Opus Klassik nomination under the category "Solo Vocal Recording". Her most recent award-winning solo album entitled "Passion for Ukraine" was released with Solo Musica and is dedicated to Ukrainian art and folk songs.

 

Repertoire

Opera/Operetta

Composer, Work

Composer

Opera/Operetta

Part

H.Purcell, Dido and Aeneas

H.Purcell

Dido and Aeneas

Dido

G.F.Händel, Alcina

G.F.Händel

Alcina

Ruggiero

G.F.Händel, Teseo

G.F.Händel

Teseo

Teseo

G.F.Händel, Floridante

G.F.Händel

Floridante

Elmira

G.F.Händel, Ottone

G.F.Händel

Ottone

Gismonda

C.W.Gluck, Orfeo ed Euridice

C.W.Gluck

Orfeo ed Euridice

Orfeo

W.A.Mozart, Die Zauberflöte

W.A.Mozart

Die Zauberflöte

2.Dame

W.A.Mozart, Le Nozze di Figaro

W.A.Mozart

Le Nozze di Figaro

Cherubino

W.A.Mozart, Cosi fan tutte

W.A.Mozart

Cosi fan tutte

Dorabella

W.A.Mozart, Don Giovanni

W.A.Mozart

Don Giovanni

Donna Elvira*

W.A.Mozart, La Clemenza di Tito

W.A.Mozart

La Clemenza di Tito

Sesto*

G.Rossini, Il barbiere di Siviglia

G.Rossini

Il barbiere di Siviglia

Rosina

G.Rossini, La Cenerentola

G.Rossini

La Cenerentola

Angelina

G.Rossini, Italiana in Algeri

G.Rossini

Italiana in Algeri

Isabella*

G.Rossini, Il turco in Italia

G.Rossini

Il turco in Italia

Zaida

G.Rossini, La donna del lago

G.Rossini

La donna del lago

Elena

G.Rossini, Aureliano in Palmira

G.Rossini

Aureliano in Palmira

Arsace

G.Rossini, La gazza ladra

G.Rossini

La gazza ladra

Pippo

V. Bellini, Norma

V. Bellini

Norma

Adalgisa

G.Donizetti, Anna Bolena

G.Donizetti

Anna Bolena

Smeton

G.Donizetti, La Favorita

G.Donizetti

La Favorita

Leonora*

G.Bizet, Carmen

G.Bizet

Carmen

Carmen

J.Massenet, Werther

J.Massenet

Werther

Charlotte*

J.Offenbach, Les Contes d'Hoffmann

J.Offenbach

Les Contes d'Hoffmann

Muse/Nicklausse

C.Saint-Saens, Samson et Dalila

C.Saint-Saens

Samson et Dalila

Dalila*

L. Janacek, Katja Kabanova

L. Janacek

Katja Kabanova

Varvara

A.Dvorak, Rusalka

A.Dvorak

Rusalka

2.Elfe, Fremde Fürstin*

G.Verdi, La Traviata

G.Verdi

La Traviata

Flora

G.Verdi, Nabucco

G.Verdi

Nabucco

Fenena*

G.Verdi, Don Carlo

G.Verdi

Don Carlo

Eboli*

P.I.Tchaikovsky, Eugene Onegin

P.I.Tchaikovsky

Eugene Onegin

Olga, Larina

P.I.Tchaikovsky, Pique Dame

P.I.Tchaikovsky

Pique Dame

Poline/Milovzor

P.I.Tchaikovsky, Jungfrau von Orleans

P.I.Tchaikovsky

Jungfrau von Orleans

Johanna

R.Strauss, Ariadne auf Naxos

R.Strauss

Ariadne auf Naxos

Dryade

R.Strauss, Ariadne auf Naxos

R.Strauss

Ariadne auf Naxos

Komponist*

R.Strauss, Ariadne auf Naxos

R.Strauss

Ariadne auf Naxos

Octavian*

R.Strauss, Elektra

R.Strauss

Elektra

2.Magd

R.Wagner, Tannhäuser

R.Wagner

Tannhäuser

Venus*

G.Verdi, Requiem

G.Verdi

Requiem

*not yet performed on stage

Oratorio

Composer, Work

Composer

Work

Part

J.S.Bach, Matthäus Passion

J.S.Bach

Matthäus Passion

J.S.Bach, Johannes Passion

J.S.Bach

Johannes Passion

L.v.Beethoven, Symphony No.9

L.v.Beethoven

Symphony No.9

A.Dvorak, Stabat Mater

A.Dvorak

Stabat Mater

G.Rossini, Stabat Mater

G.Rossini

Stabat Mater

L. Janacek, Glagolitische Messe

L. Janacek

Glagolitische Messe

*not yet performed on stage

Concert and Lied

Composer, Work

Composer

Work

G.Mahler, Das Lied von der Erde

G.Mahler

Das Lied von der Erde

Reviews

Als Titelheldin überzeugte Lena Belkina mit einem dunkel gefärbten Mezzo

Als Titelheldin überzeugte Lena Belkina mit einem dunkel gefärbten Mezzo in dieser Zweitfassung der Tschaikowski Oper... Und so emanzipiert sich die jugendliche Johanna mit langen schwarzen Haaren während der Oper aus der väterlichen Munt und tritt dem König, dessen Geliebter und dem Erzbischof von Reims resolut entgegen. Am Ende schneidet sie in Erwartung ihres bevorstehenden Todes schon einmal vorsorglich ihr Haar ab, was bei zum Tode verurteilten Rechtsbrechern in jenen Zeiten allgemeiner Usus war. Stimmlich überzeugte sie durch ihren abgedunkelten Mezzo und erhielt am Ende der Vorstellung auch vom Publikum den meisten Applaus

Online-Merker-Harald Lacina, May 2019

Lena Belkina äußerst beeindruckend

In der Titelpartie zeigt die Mezzosopranistin Lena Belkina, dass ihr die Darstellung freiheitsliebender Frauen, die musikalisch herausfordernd und ständig auf der Bühne sind, wie auf den Leib geschneidert ist...
Eine kräfteraubende Wandlung, die Lena Belkina äußerst beeindruckend umzusetzen vermag. Von unschuldig lyrisch zu Beginn bis hin zu verzweifelt dramatisch am Ende gestaltet sie eine packende Irrfahrt eines aufmüpfigen Teenagers, der letztendlich am Scheiterhaufen landet. Verraten vom Vater, Spielball der Kirche und im Stich gelassen vom König.

Tiroler Tageszeitung-Jürgen Pathy, March 2019

One of the vocal wonders of Ukraine

The mezzo-soprano Lena Belkina, one of the vocal wonders of Ukraine, dazzled in the title role of Orfeo, gripping in her tortured emotions

The Times – Geoff Brown, May 2019

Undoubtedly the star of the evening, though, was Belkina.

Riveting intensity from two young star singers, Ukrainian mezzo Lena Belkina and Australian soprano Kiandra Howarth drove home what a masterpiece the work we know as Orfeo ed Euridice truly is, even in the trimmed and higher-pitched version for the ducal nuptials.

Undoubtedly the star of the evening, though, was Belkina. Discreet as Filemone, she held the stage throughout as Orfeo, lacerating grief and boundless love personified. Without dance distraction - the three movement folk played a minimal role - you realise that Gluck's finely honed retelling of opera's favourite mythical subject is more monodrama than anything else, at least until the crucial journey from the underworld with Orfeo forbidden to look back at his resurrected wife. Belkina has a seamless, rich vocal range and it probably helped her youthful mezzo that Gluck modified or transposed upwards the leading role when it passed from castrato Gaetano Guadagni, creator of Orfeo in 1762, to his soprano-castrato counterpart in Parma seven years later; no digging here for exaggerated chest-voice effects.

The players relished the pastoral effects of the miniature tone-poem-with-voice "Che puro ciel" as well as the knife-thrusts of the Furies; the small chorus projected to perfection throughout. But it was Belkina's night. Unless she chooses the wrong repertoire, she should do very well indeed in the BBC Cardiff Singer of the World Competition next month

THE ARTS DESK, May 2019

Contact

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Sylvia Saavedra-Edelmann

Artist Manager

ssaaved@sonoartists.com

+43 (0) 650 552 4855